| USA | 18 minutes |
Directed by Layne Marie Williams
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DOLLFACE tackles the web-like topic of the institution of marriage.
Examining both the good and the bad, the film endeavors to explore everything from the societal, religious, and racial pressures surrounding the mystery of marriage, through the characters of Dot and Max, a contemporary interracial couple faced with the curse of ultimate incompatibility.

​
**DOLLFACE premiered June 10, 2016 at Canvas Chicago.

ACA Spec Commercial

A young woman lounges in a pool while conversing about her health insurance coming to a halt at age 26 to a beach ball emoji that reacts to her dilemma.

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{ B I L D  L I L L I  S P L A S H }

BILD LILLI SPLASH ponders the idolatry of the female form and dives head first into the rebellious destruction of that mysticism. Incorporating life-size dolls and stop motion, it begs the question:
What depth is there to plasticity?

​Vocal Performances by
Adrienne Brown & Rocio Lopez

{ R E C L A M A T I O N }

RECLAMATION celebrates the resilience of a young woman of color as she relives and overcomes the violence and abuse of her past.

Created in collaboration with the
"Do It For the Gram" networking initiative
​for film professionals.

{ D I V I N I T Y }

In DIVINITY, two young women explore the concept of women as heaven on earth, using only bare-bones technology, paint, 
​and original poetry.

Featuring Photographer
​Kristin J. Thompson

{ I N F I N I T E  E X C E S S }

Can I hold your attention for 30 seconds?
How it feels to be a female artist
​in a world of infinite excess.

{ T H E  Z O N E }

A court side seat to an intense game of ball between a young man and woman on the
Southside of Chicago where there's more
​at stake than just the score.
THE STONEBIRDS
| USA | 18 minutes |
Directed by Layne Marie Williams
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Conceived by Tess McChesney Kunik, 
​THE STONEBIRDS ricochets between Mount Olympus and the mortal world, bearing witness to sexual violence through time and space, committed against goddesses and humans alike. Through found footage, interviews, dance, and narrative collage, the film explores the notion of the fallen woman and art as a means of rebuilding after abuse.
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